one-minute video made by students of the UNA Artes Audiovisuales
Social & External
Ella
Él (voz)
Two people attempt to connect over a great distance.
A semi-found-footage artistic film exploring shifting self-perceptions and the horror of liminality.
Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.
Through phone call conversations, an aspiring Ilocano filmmaker relates to his mother working in Italy about his dreams and struggles while documenting the invisible betweenness of their language and distance.
A man tormented by his shadow gets tired of feeling bad.
A short stream of consciousness of a man who is drinking Absinthe to blur the lines between dominant and submissive identity.
By confronting the devastating truth of fatal violence against women, this experimental dance short shifts focus from passive victimhood to the strength and power of resilience.
A sensitive study on human relationships and the passage of time. Through the lens of directing and editing, the film observes the nuances of daily life and the resilience of connections.
A woman uses an AI chatbot to try to find closure with someone she lost.
Reenacting the suicide episode of the last Ming emperor, Chong-zhen from the classic Cantonese Opera Floral Princess, this experimental short film blending Cantonese Opera and modern dance elements reveals the journey of the defeated emperor accompanied by his faithful eunuch, Wang Sing-yan, on their way to the summit of Coal Hill to end their lives. Apart from inviting new perspectives towards their ambiguous queer overtones, it also explores the crossroads of life and death, authority and obedience, love and sacrifice, power and duty, that befall under the traditional patriarchy.
History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.
A young woman wakes up on a train going to an unknown destination. She has no recollection of how she got there or where she is. She finds herself in a vast city; a forest of steel and iron and concrete, wandering the dark streets.
A debt-settlement meeting turns into a surreal nightmare of ego, sexism, and chaos.
Set beneath a surreal green sky on a distant, crumbling world, the film captures the last survivors of a dying civilization—women who perform a synchronized ritual dance to summon an ethereal extraterrestrial presence from another realm.
The story takes place in the landscapes of La Spezia, where urban and rural environments intertwine. Water plays a primary role as a form, alongside the circle (e.g., bicycle wheels, pizzas, clocks…), which sets the rhythm of the character’s life, dynamically accelerating until it becomes very fast. The overlapping forms invite the viewer into the cyclical rhythm of the short film, moving from the spinning bicycle wheel to the washing machine drum in the character’s bathroom, from a freshly tossed pizza to the delivery mailbox, and finally to a dead-end wall. Savana is a race against oneself and against others; it’s a matter of decision and unpredictability — it’s black or white.
What remains for me is to promote my own ruin. Aware of inevitable loneliness, the incarnation of cruelty.
Two stories about different ways two people overcome loss; which may or may not be connected.
In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.
A troubled young woman becomes obsessed with her mysterious new neighbor, who bears a striking resemblance to the girl's dead mother.
After the sudden death of their father, four children face cruel treatment from their ruthless grandmother.
Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.
As a country arms itself for war, a family tears itself apart. Forced to avenge his father's death but paralyzed by the task ahead, Hamlet rages against the impossibility of his predicament, threatening both his sanity and the security of the state.
The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life or death circumstance.
After flying home to L.A. for the funeral of his estranged record-producer father, a struggling man discovers that the will stipulates that he must deliver $150,000 in cash to a 30-year-old alcoholic sister he never knew existed, and her troubled 12-year-old son.
A series of uncanny déjà vu events force a man to re-examine his tragic past, memory, instinct, and future.
Young women toiling in a factory are exposed to hazardous material which takes a disastrous toll on their health.
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
Actor William Hartnell felt trapped by a succession of hard-man roles while wannabe producer Verity Lambert was frustrated by the TV industry's glass ceiling. Both of them were to find unlikely hope and unexpected challenges in the form of a Saturday tea-time drama. Allied with a team of unusual but brilliant people, they went on to create the longest running science fiction series ever made.
Left on the doorstep of a monastery as an infant, Marcelino was raised by the monks. He was well-cared for but lonely and missed having a mother. One day he found a special friend in the forbidden attic, hanging on a cross. A friend that would repay Marcelino's kindness by granting him one heart-felt wish.
Mia is happy to be able to spend a vacation with her dad, but Lupe, Mercedes, Juanma and Alvaro arrive by surprise at the same resort... and bring the school drama with them!
Jamie Fitzpatrick and Nona Alberts are two women from opposites sides of the social and economic track, but they have one thing in common: a mission to fix their community's broken school and ensure a bright future for their children. The two women refuse to let any obstacles stand in their way as they battle a bureaucracy that's hopelessly mired in traditional thinking, and they seek to re-energize a faculty that has lost its passion for teaching.
Young Cedric Errol and his widowed mother live in genteel poverty in 1880s Brooklyn after the death of his father. Cedric's grandfather, the Earl of Dorincourt, has long ago disowned his son for marrying an American. But after the death of the Earl's remaining son, he decides to accept Cedric as his heir.
The screen adaptation of Azar Nafisi’s memoir tells the true story of a literature professor in revolutionary Iran who, amidst censorship and religious extremism, gathers seven of her most dedicated female students to immerse themselves in banned literary classics.
A three-year-old boy disappears during his mother's high school reunion. Nine years later, by chance, he turns up in the town in which the family has just relocated.
A college student must take care of her 7-year-old half sister after the death of their parents.
Brilliant, dedicated, and driven, archaeologist Emma Fielding is trying to unearth evidence of a 17th century coastal Maine settlement that predates Jamestown, one of the most significant archaeological finds in years. But the dead body that accompanies it has embroiled Emma and her students in a different kind of exploration.
Nancy becomes increasingly convinced she was kidnapped as a child. When she meets a couple whose daughter went missing thirty years ago, reasonable doubts give way to willful belief.
After returning home to his long-estranged mother upon a request from her deathbed, a man raised by his parents in an orphanage has to confront the childhood memories that have long haunted him.