Social & External
The people behind it
In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).
"If there is a relationship between production and destruction, between the development of productive and destructive forces, then the atom bomb is the ultimate weapon of the post-industrial age. Greatest tonnage, highest mortality, maximum devastation. But what comes next, what are the weapons of the post-industrial age?" - Harun Farocki
Utquiagvik is the northernmost city in Alaska, located 555 km beyond the Arctic Circle. This meditative documentary follows its young Inuit inhabitants, who explore the desolate snowy landscape under the midnight sun and transform their home into a vast playground full of melting glaciers and abandoned ships.
The COVID-19 pandemic scars the citizens of Mexico City.
For years, right-wing politicians and pundits have repeatedly criticized the left for playing “the race card” and “the woman card.” This new film turns the tables and takes dead aim at the right’s own longstanding – but rarely discussed – deployment of white-male identity politics in American presidential elections. Ranging from Richard Nixon’s tough-talking, law-and-order campaign in 1968 to Donald Trump’s hyper-macho revival of the same fear-based appeals in 2020, "The Man Card" shows how the right has mobilized dominant ideas about manhood and enacted a deliberate strategy to frame Democrats and liberals as soft, brand the Republican Party as the party of “real men,” and position conservatives as defenders of white male power and authority in the face of transformative demographic change and ongoing struggles for racial, gender, and sexual equality.
Arguably Russia’s most famous folk song, Dark Eyes has captured hearts around the world for the past 100 years. This portrait explores the song’s somewhat controversial history, its musical versatility and its cultural relevance. Performances by Louis Armstrong, Frank Sinatra, Liberace, a 13-piece orchestra and a Russian folk group make it clear why Dark Eyes has stood the test of time.
An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.
The guide Gaston Rébuffat, shares with us his view of his job and the nature that surrounds him by showing us some beautiful climbs made with friends, noting the importance of the friendship of the rope party. Born near the Calanques, he could have been a sailor, like him linked to storms and the stars. We follow him with Edwin Mattews (USA) in their ascent of the Barre des Ecrins, then in La Meije. Accompanied by Jean Juge (Switzerland), in the Mont Blanc Massif, for a crossing of the Aiguilles de Chamonix. With his Italian friend Lino Donvito, he climbs the Torre de Vijolet in the Dolomites. Then with Massulu Suzuki (Japan) in the Mont Blanc massif (Rochefort ridges, Dent du Géant via the south face). Christian Ringeval (France) accompanies him for an ascent of Vignemale. And finally return to the Mont Blanc massif, to the Grand Capucin (Bonatti route) with Konrad Krirch.
Every encounter with an image, every interaction searches for its own form. She is the other gaze is a collaboration with five female visual artists of an older generation who have been part of the Viennese art scene since the 1970s and engaged in the women's movement. In dialogue with the filmmaker Renate Bertlmann, Linda Christanell, Lore Heuermann, Karin Mack and Margot Pilz share their early works and artistic practices. They remember how their self-determination evolved between artistic ambitions, economic constraints, adaptation and resistance to the prevailing patriarchal social structures. In their role as feminist pioneers, the protagonists are a great influence on the contemporary art scene and the self-understanding of younger artists today. With their voices and narratives, they become collaborators passing on feminist thinking and artistic experiences.
In home-movies shot in the ‘90s by her father, the filmmaker discovers in these inherited images powerful fictions of the Argentinian middle class and the country’s recent history.
A record of the ascent of the Jungfrau by Frederick Burlingham accompanied by four mountain guides. The film starts with panoramics of the Eiger North Face from Kleine Scheidegg. The party begin the climb from the Jungfraujoch Station crossing the Jungfrau Firn and reaching the summit of the Jungfrau by the steep Roththal Sattel. Frederick Burlingham was a traveller cinematographer and one of the mountain film pioneers. Continuing the mountain film tradition established by Ormiston-Smith, Burlingham filmed several mountaineering films largely in Switzerland, taking mountain film in a new direction of immediacy and perceived peril. In the early history of factual filmmaking, Burlingham played a substantial role in developing the related genres of the mountaineering and the exploration film.
...where the whole expedition, by the breaking of an ice cornice on the summit, escaped death by a hair's breadth. The miraculous escape is recorded on the screen.
A concert film highlighted by performances from Marvin Gaye, Jerry Butler, and Roberta Flack.
The film collects material from different mountain adventures in the Alps filmed by Frederick Burlingham. From alpine climbing on the slopes of the Jungfrau to mountaineering and rock climbing in the glaciers and rock pinnacles of the Mont Blanc Massif. Frederick Burlingham, known at the time as 'The man who kinematographed the Matterhorn', was a traveller cinematographer and one of the mountain film pioneers. Continuing the mountain film tradition established by Ormiston-Smith, Burlingham filmed several mountaineering films largely in Switzerland, taking mountain film in a new direction of immediacy and perceived peril.
In 1905, Félix Mesguich, a young camera operator of the Lumière Brothers, films in the Blumlisalp Glacier, Switzerland, one of the first mountaineering films. A report of the recovery of the bodies of three mountaineers who fell into a crevasse. The film captures the shocking moment in which one of the dead mountaineers opens his eyes when he is hoisted from the edge of the crack. Although the film follows the true rescue expedition, it shows some scenes prepared by the camera. The film caused a big sensation when premiered in the Moulin Rouge in Paris.
A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to meditate on what Des Pallières once liked to call “our old homeland”.
This is the greatest AP macroeconomic project of all time. A group of high school students from the slums of Leesville, share the truth about the current state of the economy.
In 2024, during an artistic residency at Periférne Centrá (Dúbravica, Slovakia), Cristian Estrella filmed the folkumentary „Medzi dolinami, medzi vŕški, po stopách budúceho zvuku Slovenska“ while producing the album "The Future Sound of Slovakia Vol.1" by Mira Tus Manos. But every film leaves scenes out. What doesn't fit due to time, rhythm, or because the main story needs to go elsewhere. "Medzi scénami, medzi hlasmi" is exactly those outtakes: already edited material that no one had seen, divided into two parts —SIDE A and SIDE B— where artists from Argentina, England, France, Catalonia, Amsterdam, New Zealand, and Slovakia speak not only about the project but also about their own artistic practices, personal stories, and internal maps.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
The successes and failures of a couple determined to live in harmony with nature on a farm outside of Los Angeles are lovingly chronicled by filmmaking farmer John Chester, in this inspiring documentary.
An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
Sheds light on an alternative approach to farming called “regenerative agriculture” that could balance our climate, replenish our vast water supplies, and feed the world.
A glimpse into the raw and simple power of nature through encounters with farm animals: the eponymous Gunda, a mother pig; two cows, and a one-legged chicken.
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.
While investigating the furtive world of illegal doping in sports, director Bryan Fogel connects with renegade Russian scientist Dr. Grigory Rodchenkov—a pillar of his country’s “anti-doping” program. Over dozens of Skype calls, urine samples, and badly administered hormone injections, Fogel and Rodchenkov grow closer despite shocking allegations that place Rodchenkov at the center of Russia’s state-sponsored Olympic doping program.
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).
George Orwell was one of the most visionary authors of the 20th century, whose novels 1984 and Animal Farm foretold a chilling, authoritarian future. Acclaimed director Raoul Peck interweaves clips, readings from Orwell's diary, cinematic references, and modern-day footage to craft not only a portrait of the writer, but a fresh take on how prophetic his work has become.
This special explores the return of Obi-Wan Kenobi and Anakin Skywalker to the screen, as well as Ewan McGregor and Hayden Christensen to their classic roles. Director Deborah Chow leads the cast and crew as they create new heroes and villains that live alongside new incarnations of beloved Star Wars characters, and an epic story that dramatically bridges the saga films.
