One entry from a daily visual journal.
Social & External
The people behind it
In the aftermath of Hiroshima, a group of scientists vowed never to turn knowledge into weapons again, and from that promise, CERN was born. Deep underground, researchers from nations in conflict have worked side by side for decades, driven by curiosity and shared wonder. For 70 years, CERN has stood as an act of hope, a place where collaboration transcends borders, even as the world above grows more divided. Blending poetry, music and rare archival footage of Oppenheimer with remarkable access to the Large Hadron Collider, the film explores how science, politics and culture collide.
MARKS/MARKS examines the relationship between the mark making of optical lens technologies (writing with light) and the mark making of painting within the context of digital technology and mass data. The film maps the movement of painter Dr Harrison Waed See in the studio painting to generate the tempo and trigger audio and visual effects. Similarly digital image sonification and digital data sonifcation of still and moving images of Dr See were used to generate further noise and visual effects. Alongside this, the soundtrack also includes amplifcations of the sound of his movements and paint brush.
An exploration of memory after death.
La Panadella, an emblematic small road town in decline located in Catalonia, is awaiting the arrival of visitors from a mysterious tower. While its inhabitants and passersby follow their monotonous routines, a strange signal manifests itself.
An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.
Landscapes are permeable, impermanent. They are hallucinations of literature, manifestations of human manipulation. Like the pixel, they are degraded, rearranged, forgotten. “Eclogues” is an expression of landscape in the purest principles of digital image-making: duration, practicality, limitation. Shot in 2020 in Strafford, Vermont.
A collection of images taken on 35mm film with a point-and-click Holga135BC during the year after I dropped out of school.
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club
A woman walks, loves, eats and washes herself, dances. It all takes place in a bedroom. At times flashbacks, or visualizations of previous or following scenes. Unless her life in the bedroom becomes an obsession, she lives through the other scenes.
An experimental documentary/animation hybrid exploring likeness scanning, AI, and what that means for identity.
Pet Shop works as an experiment on regret and suffering. A juxtaposition of a dog in a pet shop and a window. Narrated from the perspective of God, or the Devil, the text recounts discussions a person has had with Him. The person accuses Him of destroying his life. This could be for a sin, a murder, or for falling in love with a person of the same sex.
A girl from Hainan recounts her youth in a seaside village she couldn't leave.
My great-grandmother, Frieda Riesenfeld, recounts moving into her first apartment in the United States after escaping from Germany in 1938.
a raw descent, billowing fast & spun 'til the time we'll force the soil to swallow ourselves: too far gone, & no backwards to safety. only spirals of wasted water down dirty, half-clogged drains, razed by fates written for us in cold ash by the bones of ancient smokestacks.
An experimental, visual, and poetic study about bodies, stitches, and repair. A sensory exploration of fragmentation and reconstruction. The body, real or symbolic, is treated as a surface to be opened, sutured, and reimagined. Using textures, objects, and silent rituals, the film contemplates the tension between vulnerability and resilience, between decay and the desire to mend. It is not about narrative, but about sensation. Not about answers, but about the act of touching what is broken.
Cosmic horror explores the elements and matter of so-called inanimate nature, which become actors and form a new ecosystem. A stream of depictions of fluid materials embedded into each other is accompanied by an unsettling soundtrack that reinforces the uncertainty of whether we are watching a cosmogonic or eschatological vision.
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.
A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.
Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.
A documentary about the making of season five of the acclaimed AMC series Breaking Bad.
After another 7 year wait, director Michael Apted revisits the same group of British-born children from Seven Up! and 7 Plus Seven. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
One man’s journey to find meaning in Bill Murray’s many unexpected adventures with everyday people, rare and never-before seen footage of the comedic icon participating in stories previously presumed to be urban legend.
For a year, acclaimed British filmmaker Jeanie Finlay was embedded on the set of the hit HBO series “Game of Thrones,” chronicling the creation of the show’s most ambitious and complicated season. Debuting one week after the series 8 finale, GAME OF THRONES: THE LAST WATCH delves deep into the mud and blood to reveal the tears and triumphs involved in the challenge of bringing the fantasy world of Westeros to life in the very real studios, fields and car-parks of Northern Ireland. Made with unprecedented access, GAME OF THRONES: THE LAST WATCH is an up-close and personal portrait from the trenches of production, following the crew and the cast as they contend with extreme weather, punishing deadlines and an ever-excited fandom hungry for spoilers. Much more than a “making of” documentary, this is a funny, heartbreaking story, told with wit and intimacy, about the bittersweet pleasures of what it means to create a world – and then have to say goodbye to it.
Stars of "The Walking Dead," Andrew Lincoln and Danai Gurira, walk down memory lane and visit iconic locations where pivotal moments between their characters, Rick and Michonne, were filmed.
This special explores the return of Obi-Wan Kenobi and Anakin Skywalker to the screen, as well as Ewan McGregor and Hayden Christensen to their classic roles. Director Deborah Chow leads the cast and crew as they create new heroes and villains that live alongside new incarnations of beloved Star Wars characters, and an epic story that dramatically bridges the saga films.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
