Social & External
Unknown Role
Documentary with fragments and records about the boundaries between art and counterculture, based on a debate held at the Museum of Modern Art, Rio de Janeiro, in October 1968.
The events following a surreal network hijacking thrust several characters into a crisis of existential proportions. Leading them on a collision course of human consciousness, technological evolution, and divine horror where fragmented identities dissolve and reconfigure in frenzied kaleidoscopic mania rapidly careening towards oblivion.
“Omen, a dark and timeless traveler, emerges from the belly of a gutted sheep and finds himself in an unknown void. In this tormented space, a disturbing encounter awaits him: an Enchantress. Through silent revelations and hidden omens, a haunting and supernatural journey begins, in search of meaning beyond appearances.”
A folk singer in 17th-century Kerala discovers a mansion. Inside, he encounters an enigmatic cook and a powerful master, setting in motion a chain of events that changes his life.
When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.
A vampiric trio facilitates the transition of a new host across a former limestone quarry and the sacred mountain grotto of Mary Magdalene, troubling the binaries of life, death, gender and parasitism. Monuments to female saints become poses of living queer memory, as skeletal remains are transformed with embellishments. A mosquito draws blood with its proboscis and hormones are drawn using a syringe, as the remnants of an extracted zone is now overgrown with lifeforms.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
Welcome to the 1980s TV horrorshow that never was. PHANTASMATAPES is a psychotronic VHS mixtape that reimagines THE REVENGE OF DR. X (a Japan-set creature feature that was written by Ed Wood) and THE BRAIN THAT WOULDN'T DIE (the savage body horror film that inspired FRANKENHOOKER) as a late-nite, home-taped double feature—complete with local TV commercials and a new synthesizer score from Taken by Savages (JUNGLE TRAP). Inspired by hazy memories of channel-surfing at the witching hour, this is a nostalgic and experimental art project from the minds behind Bleeding Skull.
A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.
He's hungry, and chances are you're also hungry, so tag along. Who knows, you might learn a thing or two.
A frenetic Santiago gives me space to reflect on depression, loneliness and home in an attempt to piece together my past. Pandemic revelations and crises of youth appear as fragments. The liveliness I find in the crowd connects me with its movement.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
Sprout. In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout. In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting and returning the next day. The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.
A father must face his dark past when his gifted daughter has visions of a young girl reborn from her deceased mother. This award-winning metaphysical thriller combines elements of art house, avant-garde, surrealism, and experimental horror.
Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.
A drifter spends the night in an abandoned house and encounters a Window of Consciousness. This award-winning film combines elements of art house, avant-garde, surrealism, and experimental horror.
A man is trapped in a loop somewhere between life and death. Based on Bardo, a Buddhist term for an intermediate state between death and rebirth. This film combines elements of art house, avant-garde, surrealism, and experimental horror.
A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.
Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.
The ultimate ‘80s Horror retrospective just got BIGGER. In Search of Darkness: Part II is a four-hour-plus sequel to the Rondo Hatton-nominated In Search of Darkness, adding 15 new interviewees and 40+ returning favorites for the biggest and most comprehensive ‘80s Horror documentary cast ever assembled.
Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this is the untold history of black Americans in Hollywood through their connection to the horror genre.
A filmmaker who grew up alongside Chucky the killer doll seeks out the other families surrounding the Child's Play films as they recount their experiences working on the ongoing franchise and what it means to be a part of the, "Chucky" family.
A deep dive into the making of the Paranormal Activity films with first time ever interviews with cast and crew, never-before-seen footage from the movies, and a preview of the seventh installment in the franchise.
An exploration of '80s horror movies through the perspective of the actors, directors, producers and SFX craftspeople who made them, and their impact on contemporary cinema.
Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.
Karen, Sarah, and Emma Tunney are all moving to a small town in Pennsylvania where, unknown to them, in 1913, a horrid mine accident trapped dozens of children alive, underground. But there's a problem. They're still alive.
After the discovery of a mysterious VHS tape, a brutish police SWAT team launches a high-intensity raid on a remote warehouse, only to discover a sinister cult compound whose collection of pre-recorded material uncovers a nightmarish conspiracy.
A malevolent being known as The Jester terrorizes the inhabitants of a small town on Halloween night, including two estranged sisters who must come together to find a way to defeat this evil entity.
Cocky researcher Sebastian Caine is working on a project to make living creatures invisible. Determined to achieve the ultimate breakthrough, Caine pushes his team to move to the next phase — using himself as the subject. The test is a success, but when the process can't be reversed and Caine seems doomed to future without flesh, he starts to turn increasingly dangerous.
An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.
The film contains five stories set on desolate stretches of a desert highway. Two men on the run from their past, a band on its way to a gig, a man struggling to get home, a brother in search of his long-lost sister and a family on vacation are forced to confront their worst fears and darkest secrets in these interwoven tales.
Twenty years after a Valentine's Day tragedy claimed the lives of five miners, Harry Warden returns for a vengeful massacre among teen sweethearts gearing up for another party.
Ebony Jackson, a struggling single mother fighting her personal demons, moves her family into a new home for a fresh start. But when strange occurrences inside the home raise the suspicions of Child Protective Services and threaten to tear the family apart, Ebony soon finds herself locked in a battle for her life and the souls of her children.
Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
A washed up boxer searching for his inheritance must fight for his life when he is trapped in his deceased father's farmhouse by a local cannibal cult.
On Halloween night, a sorority house is overrun with ghosts, while a vengeful housemother goes on a killing spree.
The man known as Bunnyman returns home to find his family running a haunted house attraction. The family welcomes him home, but soon realizes you cannot domesticate a wild animal. Death and mayhem ensue as the family turn on one another to fulfill their bloodlust.
A young woman accepts a job on a property with a traumatic history. Upon her arrival, she soon realizes that the nightmares of her childhood are connected to the evil in the house.