Actuality of a man inflating a woopie cushion in his home.
Social & External
The people behind it
John Winn
Made in 1896 during the flat racing season (March-October) at Stockton Racecourse, a former horse racing venue in Thornaby-on-Tees, North Yorkshire, UK. Several horses are ridden by jockeys past the camera. Many men in flat caps from the crowd run onto the course and run past the camera at the end of the race. Two policemen follow the men.
An actuallity film of a fairground carousel in action. Filmmaker unknown but it has been suggested it is R.W. Paul. The film was made on Hampstead heath, London, UK.
Short documentary film produced by Eugène Pirou.
Film made at Hyde Park Corner in 1896 by an unknown filmmaker. It looks south west across Grosvenor Place. The southern wing of St George's Hospital (today the Lanesborough Hotel) can be seen on the right of the picture. The road stretching away in the centre of the picture is Grosvenor Crescent. The busy two way horsedrawn traffic movement is seen on what would today be Grosvenor Place and Apsley Way (the road layout now is different to 1896). The approximate camera position would be today on Apsley Way, just east of the Royal Artillery Memorial. Not to be confused with another Hyde Park Corner film by British Pathé made in the same year but with a different view. (That film looks north towards the triumphal arch at the corner of Hyde Park next to Apsley House.)
In 1968, Billy and Antoinette Edwards participated in a landmark documentary that would intimately observe their turbulent relationship. Over 50 years later, their son Bogart sat down to view and discuss the resulting film, A Married Couple.
Taken from a motor cab running at full speed along Piccadilly and through the Circus, narrowly escaping collision with various buses and cabs
Actuality film. Late 19th century General Officer ranks and higher cross to a ship over a gangplank. As VIPs they meet some people which we don't get to see, then cross back again, getting caught in a crowd melée at the top of the stairs from the quayside.
One of the many arrivals of a train filmed in the first years of cinema, this version was shot in Asnières-sur-Seine by Henri Joly with the Cinématographe Joly-Normandin.
According to Denis Condon, the march was situated on Blackhorse Avenue (north of North Circular Road), with McKee barracks in the background. Restored in 35mm by Cinemateca Portuguesa – Museu do Cinema e Filmoteca Española, with the support of Photographia Museu Vincentes (Funchal, Madeira)
A stationary camera, looking diagonally across a racetrack toward the infield, records the horses as they race past. Once they are out of view and the race is over, police officers run onto the infield. The crowd moves around.
Part of a series of military views produced by Eugène Pirou
Not much is known about this film except that it was shot with the Cinématographe Joly-Normandin. Presumably produced by Eugène Pirou
Short film of children dancing produced with the Cinématographe Joly-Normandin
Shot at the Carnival celebration in Nice
Shot between Bois de Boulogne and Porte Maillot
Shot in the summer of 1896 in Paris
Shot in the avenue between the Bois du Boulogne and the Arc-de-Triomphe
Documentary of the film Yesterdays Enemy
Doc on the actress
Stand-up comedian Kevin Hart talks about his family, travel and a year full of reckless behavior in front of a live sold-out crowd in London.
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Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"