Social & External
Alenka
Marijan
Marina Carrère d'Encausse lifts the veil on the intimate questions that preoccupy her as well as society at large: those related to the end of life. The doctor-journalist introduces Antoine, her partner, who is suffering from Charcot's disease, an incurable illness, and who wishes to choose how he ends his life. Is the current law in France sufficient? Should it simply be better enforced, allowing better access to palliative care? Should assisted suicide and euthanasia be legalized? Marina meets with patients concerned about the end of life, caregivers, and politicians in France, as well as in Belgium, Switzerland, and Canada, countries where euthanasia and assisted suicide are legal.
When the cheerful, crazy, fun, and sweet Milou is confronted with multiple traumatic experiences in her early teens, she develops severe flashbacks and serious psychological problems. Everything is tried, but no one can silence the monster in her head. Milou is seventeen when she dies in her mother's arms. Weary, completely exhausted, she is finally allowed to go. Milou is the first minor in the Netherlands to die by euthanasia due to hopeless psychological suffering.
About the nurses who used their professional skills to murder the handicapped, mentally ill and infirm at the behest of the Third Reich and directly participated in genocide.
Switzerland is the only country in the world that allows foreigners to come and die on its territory. Since its founding in 1998, more than a thousand people have traveled to Zurich to end their lives with the help of the organization Dignitas. "Dignitas - Death on Prescription" is a documentary about an organization that provides people with terminal and incurable illnesses, intense unrelenting pain, and depression with a peaceful death. The organization's founder, lawyer Ludwig Minelli, is often the target of insults, especially from politicians, despite the fact that most Swiss citizens support the option of medically assisted suicide.
Kees suffers from Parkinson's disease. This puts pressure on his relationship with his beloved Carmen. If a cure is not forthcoming, an almost inhuman, devilish dilemma presents itself.
In 2008, celebrated author Sir Terry Pratchett was diagnosed with Alzheimer's disease. Nearly three years on, Pratchett considers ways to end his life before the disease consumes him. His search takes him to Switzerland, where he meets some of the staff and clients of a non-profit organisation that provides assisted suicide to people suffering from severe ailments and terminal illnesses. In a quiet cottage outside Zurich, we—along with Sir Terry—witness a man's final moments with his wife.
Carmen's life has been a quixotic comedy; surviving the war, becoming a nun, getting divorced in a conservative society, and having numerous lovers, always defying the rules. Now, at 86, she is planning her suicide. The film follows her final days, exploring her bond with her adopted son, as well as her journey to face death on her own terms.
Nathan Verhelst, a 44 year old man from Sint-Niklaas in Belgium, demands and receives euthanasia after several failed gender operations. Nathan was born as 'Nancy'. His backpack of life is filled with rejection and incest. Thinking of himself as a freak, he can't find peace as a woman nor as a man. Three doctors decide that his life quality issn't guaranteed anymore and give Nathan permission for euthanasia. After trying to convince him not to do it, his friends start to support him in his choice. Hoping he would feel loved again, and would find a reason to live. But Nathan doesn't change his mind. "I'm certain", he said, "for the full 300 procent". He went. Dancing. The lethal injection was given at the University Hospital in Brussels. Nathan suffered from unbearable psychic and physical pain.
Documentary about 2 men in the final stages of their live since they have terminal cancer and how they deal with it.
Novelist and screenwriter Emmanuèle Bernheim and filmmaker Alain Cavalier have been friends for 30 years. They are preparing a film based on the former’s autobiography, “Tout s’est bien passé” (Everything Went Fine). In it, she tells how her father asked her to “end it” in the wake of a heart attack. Cavalier suggests that she plays herself, and that he plays her father. One winter morning, Emmanuèle calls Alain; they will have to postpone the shoot until the spring, as she needs an urgent operation.
Looks at three different people and their look at euthanasia.
Raye’s devastating documentary follows the plight of some 450 dogs brought through a single animal shelter during the winter of 2013. Policy dictates that any animal not adopted within 12 nights will be destroyed. Only around 10% of residents will be so lucky as to survive. As they wait, their time in the shelter is fraught with anguish, disease, and only the slimmest possibility of a better life. Executive produced by novelist and filmmaker Giddens Ko (You Are The Apple Of My Eye).
Portrait of the birth of a friendship between two men, while one helps the other to die. The acceptance of pain, the sense of humour and the commitment to family and friends, will accompany the virtual chats between Fernando and Eric, who were unable to meet due to the pandemic.
A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
A documentary about the sport of boxing, as seen through the eyes of champions Mike Tyson, Evander Holyfield and Bernard Hopkins.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
A documentary that explores the downloading revolution; the kids that created it, the bands and the businesses that were affected by it, and its impact on the world at large.
Alex Gibney explores the charged issue of pedophilia in the Catholic Church, following a trail from the first known protest against clerical sexual abuse in the United States and all way to the Vatican.
Retrospective documentary about the making of the horror cult classic "The Return of the Living Dead."
If you ever find yourself traveling down Interstate 49 through Missouri, try not to blink—you may miss Rich Hill, population 1,396. Rich Hill is easy to overlook, but its inhabitants are as woven into the fabric of America as those living in any small town in the country. This movie intimately chronicles the turbulent lives of three boys living in said Midwestern town and the fragile family bonds that sustain them.
This documentary by Joe Berlinger and Bruce Sinofsky details the murder trial of Delbert Ward. Delbert was a member of a family of four elderly brothers, working as semi-literate farmers and living together in isolation from the rest of society until William's death.
The life and career of one of comedy's most inimitable modern voices, Mr. Gilbert Gottfried.
Artists in LA discover the work of forgotten Polish sculptor Stanislav Szukalski, a mad genius whose true story unfolds chapter by astounding chapter.
Behind the scenes look at fight choreography and action training.
A documentary focused on plastic pollution in the world's oceans.
The life and career of an actor, artist, and icon. His own journey through his own camera.
Documentary of the making of the sequel to the popular Schwarzenegger film, The Terminator.
The life of Mr. Spock, as well as that of Leonard Nimoy, the actor who played him for almost fifty years, written and directed by his son: Adam.
Brilliant, long in-the-works story of the life and art of the world's greatest comedian and the cinema's first genius, Charlie Chaplin. Produced, written and directed by renowned film critic Richard Schickel.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
This real-life look at FBI counterterrorism operations features access to both sides of a sting: the government informant and the radicalized target.