"Fluxfilm No. 8"
Numerals on clear film from 1 to 1000."
Social & External
Are eligible Indigenous bachelors an endangered demographic in the 21st century? That’s the question cheekily posed by Tracey Rigney’s debut documentary short, which invites First Nations individuals to confide what they desire, what holds them back, and their hopes and worries about whether they’ll ever find The One. Endangered first screened at the Melbourne International Film Festival in 2005.
Fresh from Seoul, a teen girl struggles to find connection in her new home until she sees the church band’s floppy-haired drummer and strikes up a daring idea to get his attention.
On the surface Sarra leads an average life, the one her mother has planned out for her: the young Tunisian is taking sewing classes and preparing for marriage to a young man. But deep inside she is concocting a plan to escape this life – as BLACK MAMBA
CREMASTER 1 is a musical revue performed on the blue Astroturf playing field of Bronco Stadium in Boise, Idaho - Matthew Barney's hometown. Two Goodyear Blimps float above the arena like the airships that often transmit live sporting events via television broadcast. Four air hostesses tend to each blimp. The only sound is soft ambient music, which suggests the hum of the engines.
CREMASTER 4 adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore...
An artistic short film directed by Stan Vanderbeek.
The third installment of the 765874 series explores concepts from William Shatner’s “Ashes of Eden” and Star Trek: Picard’s resurrection of the Enterprise-D.
765874: Unification is a mind-bending Star Trek experience celebrating the 30th anniversary of Star Trek: Generations – William Shatner’s last appearance as Captain Kirk on screen.
Short animation by Shynola & Ruth Lingford
The lights and characters of Fortaleza's nightlife blend into a sensory experience through images stored in the memory of the devices.
A farmer has computerised his farm but hasn't counted on bugs in the system ... and the cow wants to jump over the church.
Seule is a lone woman: She lives alone, works alone, talks alone, plays alone, takes breakfast alone, eats alone, takes dinner alone, sleeps alone, dreams alone, walks alone, runs alone, smiles alone, smokes alone, cries alone, drinks alone , dresses herself alone, undresses alone, shower alone, she looks at herself alone, she imagines herself alone, but she never feels lonely
In 1989 a country boy doesn't want to eat potatoes at home. He wants to introduce something more exotic to his parents. One day he takes his savings and his moped to a pizzeria in town.
The residents of Hotel Transylvania find their world turned upside-down when youngster Dennis gets a surprise monster-sized pet.
This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.
A playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.
I made this film especially for you. I needed to check in with you. I needed to tell you how I feel.
A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.
In this powerful abstract film with a soundtrack of African drum music, Lye scratched "white ziggle-zag-splutter scratches" on to black leather, using a variety of tools from saw teeth to arrow heads. The first version of the film won a major award at the International Experimental Film Festival Held in Brussels in 1958 in association with the World's Fair. Stan Brakhage described the film as "an almost unbelievably immense masterpiece".
Edna's father wants her to marry wealthy Count He-Ha. Charlie, Edna's true love, impersonates the Count at dinner, but the real Count shows up and Charlie is thrown out. Later on Charlie and Edna are chased by her father, The Count, and three policeman. The pursuers drive off a pier.
Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.
Amidst an old London clock shop, a small, quirky mantle clock comes to the aide of the store's more expensive clocks when a thief breaks in and threatens to steal them away.
In a world that judges people by their number, Zero faces constant prejudice and persecution. He walks a lonely path until a chance encounter changes his life forever: he meets a female zero. Together they prove that through determination, courage, and love, nothing can be truly something.
A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.
Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.
In Don Hertzfeldt's second student film, a hapless cartoon character is dragged through a spectrum of cinematic situations by his frustrated animator.
Experience these masterpieces of storytelling from the creative minds that brought you Toy Story, Monsters, Inc., Finding Nemo and many more. With revolutionary animation, unforgettable music and characters you love, these dazzling short films have changed the face of animation and entertainment and are sure to delight people of all ages for years to come.
This direct-to-draw animated film on 35 mm film features the imagery of 10 European directors in a collective project. Each produced 1 minute of animation on film, drawing directly onto it in his or her own style.
An experimental film in which both sound and visuals were created entirely by Norman McLaren drawing directly upon the film with ordinary pen and ink. The main title is in eight languages. Rereleased with multilingual titles in 1949.
Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.
A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.
While changing clothes in a getaway car, escaped convicts Stan and Ollie mistakenly put on each other's pants. They spend the rest of the film trying to exchange pants in various unlikely settings.
A feature length documentary about the all-women team at the helm of Pixar's original feature, Turning Red. With unprecedented behind-the-scenes access to Director Domee Shi and her core leadership crew, this story shines a light on the powerful professional and personal journeys that brought this incredibly comical, utterly relatable, and deeply heartfelt story to the screen.
In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.
