An essay in colour harmonics and visual overtones. Conceived and produced as part of the Images Film Festival's Minute Movies.
Social & External
Short animated silent film about a man drinking alcohol.
The author of the work in a grotesque form tries to convey to the viewer that school education can not only make people better, but also, with an inappropriate approach to training, turn them into notorious monsters. We follow one lesson in school of fantastic, but such recognizable monsters.
An environmental morality tale. A divine gate gives one all that one desires, on the condition that one takes only what one needs and one gives something good in return.
A woman slowly loses her mind over the last four seasons of her life and her memories escape her one by one. Her husband remembers their life together through them. The story of a couple who meet one last time.
Propelled by Claude Cloutier’s signature drawing style and absurdist humour, this animated short offers an overview of the evolution of life on Earth from rock to human, with some surprising twists in between.
A surrealistic montage set in motion by a tidal wave and incorporating a samurai battle.
Once upon a time. Old magazines gently dance in the wind. A super-8 camera crawls over a wooden table while an old carpet flows in and out. Suddenly, a mouse. Then, a whole civilization running towards its inevitable destiny. Plastic waste has reached the point where not even the most distant beaches are safe.
The story of John, a show biz dog, and his partner/fiancee Mary. We see him about to jump off a bridge when he stops and explains why he is doing it.
Three archaeologists learn about the impact television, especially the CBS network, had on postwar America.
The title of this short is a play on the title of the feature film Destination Moon (which itself has an animated sequence made by Walter Lantz and starring Woody Woodpecker) and once again Magoo and his myopia take an adventure, hand in hand, off to the "Moon". The life that man leads!
Leo, a Hi-Tech ‘pet’ robot, wanders alone in Paris following the mysterious disappearance of nearly all living species.
During a chicken picnic, Yellow Guy gets upset after Green Bird kills a butterfly. Yellow Guy then meets a butterfly that takes him on a journey to discover his concept of love.
An animation mixing hand-drawn and cut-out techniques depicting the daily rituals of weekday morning that is occasionally interrupted by flights of fantasy delivered in stroboscopic flashes. Showing scenes of brushing teeth and face washing, Tanaami describes the film to be like a self-portrait on his favorite day of the week.
A vintage nature film exploring the migratory pattern of a herd of wild creatures.
When railroad boss Mr. Givney needs a pesky mosquito exterminated, Jerry is on the job. But Jerry's efforts bug Givney more than the bug.
Jean-Michael Cousteau's documentary about the Great Barrier Reef keeps getting interrupted by characters from Disney's Finding Nemo.
The enduring romance of the lines. A visual exploration of Dave Brubeck's jazz classic "Take Five".
A unique journey across a topography created entirely from a form of digital light and shadow—a bristling terrain of poles bending the light in every direction. This film is the remake of Barcode, an abstract road-movie about light and shadows.
Vocal calisthenics and an ultra stunning example of the art of synchronisation.
Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has become obsolete by the digital dematerialization. A commentary on the fragility of culture.
Scrat tries to finish his rather large collection of acorns when things start going nutty.
A playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.
This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.
In this powerful abstract film with a soundtrack of African drum music, Lye scratched "white ziggle-zag-splutter scratches" on to black leather, using a variety of tools from saw teeth to arrow heads. The first version of the film won a major award at the International Experimental Film Festival Held in Brussels in 1958 in association with the World's Fair. Stan Brakhage described the film as "an almost unbelievably immense masterpiece".
In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.
I made this film especially for you. I needed to check in with you. I needed to tell you how I feel.
A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.
An experimental film in which both sound and visuals were created entirely by Norman McLaren drawing directly upon the film with ordinary pen and ink. The main title is in eight languages. Rereleased with multilingual titles in 1949.
This direct-to-draw animated film on 35 mm film features the imagery of 10 European directors in a collective project. Each produced 1 minute of animation on film, drawing directly onto it in his or her own style.
Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.
Experience these masterpieces of storytelling from the creative minds that brought you Toy Story, Monsters, Inc., Finding Nemo and many more. With revolutionary animation, unforgettable music and characters you love, these dazzling short films have changed the face of animation and entertainment and are sure to delight people of all ages for years to come.
In stop-motion animation, a wardrobe moves through the countryside. It arrives in a house, a child's voice recites Lewis Carroll's "Jabberwocky," and various objects, such as toys and dolls, move about, disintegrate, and play out archetypal scenes. Like Carroll's verse, the images are at once familiar and unfamiliar. A child's play suit, hanging in the wardrobe, becomes the adventure's protagonist.
It's the 1890s, and Donald is riding his penny-farthing bicycle to see Daisy when Chip 'n Dale make fun of him. It quickly escalates into a full-fledged war between Donald and the chipmunks.
In Don Hertzfeldt's second student film, a hapless cartoon character is dragged through a spectrum of cinematic situations by his frustrated animator.
This short film visualizes potential human exploration of the Solar System through a sequence of digitally reconstructed environments based on real astronomical data and spacecraft imagery. Depicting locations such as Mars, the moons of Saturn and Jupiter, and other celestial bodies, it presents speculative human activity grounded in existing scientific ideas, accompanied by narration from Carl Sagan’s "Pale Blue Dot".
Animated shapes dance to Cuban music. This was one of the first animations to be painted directly onto the film.
Three sleepy babies in a clog-boat sailing through the night sky attempt to fish with candy canes for very smart fish.
Marcel the shell gives an outline of his life.
A series of dark and troubling events forces Bill to reckon with the meaning of his life… or lack thereof.
Donald is an admiral on a seagoing voyage with his nephews in which they encounter a ravenous shark.