A summer landscape in the south of France. Eleven boys seek pleasure through performing pagan rituals.
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Measuring their power and proving themselves is part of the boys’ everyday life. Even for the 13-year-old gentle-natured Yannik. Until his best friend’s upcoming sexual curiosity suddenly puts him in a threatening situation. Where is the line between game and reality and what happens if that line is crossed?
At an all-girls’ class retreat, Agnes, a devout star student, is forced to navigate her unspoken feelings for her classmate, while simultaneously dealing with her uncertainties towards her faith.
A Chicana mother comes to terms with the death of her beloved father.
New York-based 16-year-old Joey Wethersby's parents were part of a 1990s one-hit wonder band. After encouraging her parents to start a new band, Joey finds herself traveling nightly to an alternate reality where everyone repeatedly says the titular three-word phrase.
In a Berlin nightclub, a lonely man is seduced by a mysterious person, who then invites him to spend an unforgettable night together with their partner.
A family (mother, daughter and son) tries to survive their loneliness and obsessions by going through different sexual experiences and relationships with a new neighbour, a prostitute.
Two teenage girls with parallel lives but coming from different socio-economic backgrounds meet one summer to discover friendship and a sexual awakening.
A 16mm anthology of experimental super 8 films by Derek Jarman, Michael Kostiff, Cerith Wyn Evans and John Maybury, with framing footage by Tim Burke of Brion Gysin using a dream machine. Jarman's contribution is a version of his 1977 Art and the Pose (aka Arty the Pose), refilmed at 3fps, with a musical soundtrack. Jarman planned The Dream Machine as a commemoration of William Burroughs and Gysin's 1982 visit to the UK, and received initial funding from the Arts Council in 1983, then rethought the project as a portmanteau film featuring Gysin alone. The production remained in limbo until 1986, when James Mackay obtained completion funding from the British Film Institute. (Since this film was released on VHS accompanied by Jarman's Broken English: Three Songs by Marianne Faithfull, T.G.: Psychic Rally in Heaven and Pirate Tape under the umbrella title The Dream Machine, synopses of this film have often muddled up its details with those of the earlier films. )
Working with Virgil’s four-part poem “Georgics” and Antonio Vivaldi’s concertos “The Four Seasons” as models, Gottheim arranged his painterly compositions into four distinct sections, each edited according to its own exacting pattern. The seasonal flux thus informs both the form and content of the image, with the basic elements of trees, sky, hills and the occasional crisscrossing clothesline filmed in every imaginable light.
In "Fidlovacka", the name of a Czechoslovakian festival, the proprietress of a cheese factory picks a fiancé for her orphaned niece in her desire to bring aristocratic blood into the family. THe niece has also picked the man she wants to marry and isn't the the rich aristocrat.
7 young men and women and their three stories involved with heterosexual, homosexual and bisexual affairs that happened in Beijing. A single mom meets a young student; A city boy meets a guy of his dream; A girl falls into a love game of a male and a female fellows in her French class.
Arguably Larry Gottheim’s most exuberant experiment in the single-shot, single-roll format (and his first with a soundtrack), HARMONICA trains the camera on a friend improvising a tune in the backseat of a moving car. Held out the window, the harmonica becomes a musical conduit for the wind, while Gottheim's film transforms before our eyes into a playful meditation on wrangling the natural elements into art. - Max Goldberg
Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image sections. This established affinities between each of the image sections to the others, and the sound sections to each other. The image sections are: surveyors measuring the land near my house as seen through an old window, a family of Siamang Gibbon apes in the Washington zoo, an industrial site, and a page turned from a book on Cézanne’s composition showing a diagram of his painting Mardi Gras, filmed against bright leaves. The sound sections are: a dramatic scene from Debussy’s opera “Pelléas et Mélisande”, a passage from William Wordworth’s autobiographical poem “The Prelude,” sounds from rowing on a lake at night, and the sounds of the apes vocalizing.
A wide-eyed young postman and a gangster in trouble with the mafia find their lives become inexplicably intertwined when a heady affair attracts danger at every turn.
The Gunslinger Nobody refuses to suck a bull's cock in Colonel Bajon's zoophilia movie, and a musical hunt begins.
A man and woman embark on a sexual journey to detach mind from body. The relationship slowly grows into one of emotional domination, physical disease, abandonment and the creation of personal pornography.
The main protagonist is a young fellow who tries to live his life within 30 frames. He's a person suitable for any atmosphere, which makes him different from the rest. He's like a plant that differs from others, an informer who wants to escape out from his skin. This man loves, hates, eats, drinks, lies ill, laughs, cries, kisses, plays... These are agonies of a contemporary man.
"The filming of the entrance to the company dormitory in which the film-maker was living. Centering the film on one pillar, he warps the spaces to the left and right and creates an unstable space similar to painting that employs anamorphosis. Made as were SPACY and BOX with a large number of photographs, the film ends with a violent movement, but is poetic for this." - Takashi Nakajima
"The majority of my 8-mm works were made for the three-minute "Personal Focus" film special put on in Fukuoka. This film is an animation of photographs I had taken on a regular basis as a sort of diary, and was made to have a rough feel to it." - Takashi Ito
I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.
Through a series of real and imagined encounters with angels, demons, and England's pagan past, a pastor's son begins to question his religion and politics, and comes to terms with his sexuality.
Paulo, a young pianist, meets Ilir, a double-bass player originally from Albania. It's love at first sight. Confronted by Anka, Paulo finds himself out on the street. Despite Ilir's misgivings, Paulo moves in with him. One day, when Paulo promises that he will love Ilir for the rest of his life, Ilir leaves the city and doesn't return. A few days later, Paulo finds out that Ilir is in jail, and the two lovers embark on an heart-breaking relationship.
A mysterious door in the basement of the Hercules house leads to the Sixth Dimension by way of a gigantic set of intestine. When Frenchy slips through the door, King Fausto falls in love with her. The jealous Queen Doris takes Frenchy prisoner, and it is up to the Hercules family and friend Squeezit Henderson to rescue her.
In the town of Normal Valley, an eccentric magician named Maestro entertains the local children every day in his spooky mansion. One stormy night, the town's mayor leads a group of angry citizens to the mansion in an attempt to run Maestro out of town.
Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.
Ten lost souls slip in and out of one another's arms in a daisy-chained musical exploration of love's bittersweet embrace. A film adaptation of Michael John LaChiusa's celebrated musical, originally based on Arthur Schnitzler's play, La Ronde.
Almost a decade since larger-than-life glam-rock enigma Brian Slade disappeared from public eye, an investigative journalist is on assignment to uncover the truth behind his former idol.
Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.
After her boyfriend ends their relationship, the dreamself of a heartbroken woman floats through the air over an industrial wasteland singing ballads of love.
A farm girl is on an epic quest to recover a cherished family heirloom. Her journey leads her to a strange and dangerous city where she meets her one true love – but in order to save his soul, she must put the power of destiny and song to the ultimate test.
In 1960, Marc and Philippe are counselors at a summer camp in the French countryside. One night, Marc finds Philippe dressed and made up as a woman, and from now on, he will keep on humiliating Philippe.
In the heart of Styria the Karnstein Family, even after their mortal deaths, rise from their tombs spreading evil in the countryside in their lust for fresh blood. Baron Hartog whose family are all victims of Karnstein vampirism, opens their graves and drives a stake through their diabolical hearts. One grave he cannot locate is that of the legendary beautiful Mircalla Karnstein. Years of peace follow that grisly night until Mircalla reappears to avenge her family's decimation and satisfy her desire for blood.
A pagan village, founded on the bones of both innocent and foul, is deeply rooted within the heart of an ancient Eden. When a balance of flesh and soil decays, the last surviving village elder battles madness and the macabre to save her people from not only themselves, but the monstrous judgement that burrows up from below.
Whether you’re a devoted disciple looking to relive treasured memories of the GHOST live spectacle or among the curious uninitiated, RITE HERE RITE NOW will put you right there: putting your phones down and living in the moment—as a shadow of uncertainty looms—completely spellbound and in the thrall of this bombastic yet intimate cinematic portrait of GHOST.
After getting a flat tire in the middle of nowhere, newly engaged couple Brad and Janet encounter the eerie mansion of the flamboyant, seductive Dr Frank-N-Furter and a variety of eccentric characters. Through elaborate dance and rock music, the mad scientist unveils his latest creation: a perfect, muscular man.
An alien creature invades New York's punk subculture in its search for an opiate released by the brain during an orgasm.
Around midnight, a young couple and their transvestite maid prepare for an orgy. Their guests will be The Slut, The Star, The Stud and The Teen.
Summer 1994, Scotland. Johnno and Spanner are best mates, but Johnno’s family are moving him to a new town and a better life, leaving Spanner behind to face a precarious future. In pursuit of adventure and escape they head out on one last night to an illegal rave before parting ways indefinitely.
XOXO follows six strangers whose lives collide in one frenetic, dream-chasing, hopelessly romantic night.
The story of a young woman named Jane 57821, who is living in a totalitarian near-future society where citizens are referred to as 'computers.' 'Dirty Computer' explores humanity and what truly happens to life, liberty and the pursuit of happiness when mind and machines merge, and when the government chooses fear over freedom.