A colorful collage, with a subtle ecology theme, made largely from footage from trial runs of programs used for many of the other films.
Social & External
7362 is concerned with dividing and joining together. It begins with two black circles against a white background, knocking together and gradually moving further apart. The circles fade out, and return as white circles against black inside a square. Images similar to Rorschach blots appear. Gradually the viewer realizes that the images were not originally abstract, but were human forms (dancers, gymnasts, etc.), bridges, and others that have been split down the center of the frame, with their mirror images printed on either side of the split. Red, green, and white tints further abstract the images from their original foundations in the natural world, making dancers appear to be amoebas or dividing cells. The accompanying sound track is a mixture of electronic music and musique concrète ("real" recorded sounds manipulated to sound abstract).
The project explores urban edges as they correspond with the marginality of social groups who inhabit them. Distance, the anonymity of the architectural setup, decay, but also movement and interaction are subjects of a raw sketch that seeks to integrate a discussion about space and segregation into the discourse of the Common Good. The audio-visual language of the film uses a transparency and starkness of approach to reflect its subject matter. The fusion of architectural lines with sound through unexpected correspondences and synchronizations aims to generate a new kind of intermedial proposition.
A man plays fetch with his dog, only to have both him and his dog mired in a series of optical illusions.
A musical that explores, in glorious color and song, the simultaneous disillusionment and hope of eternal love in the face of an economic crisis.
Charming bunnies Spot and Splodge are best friends. In their world, everything is spotted and speckled. One of them is covered with spots and the other is covered with dots, but there are dots and spots everywhere! In this movie we watch Spot and Splodge bake delicious things, they visit a circus and try to stand on their ears, they get chickenpox, are dressing up as princesses in a fairytale and are having a disco party.
In 1970s Iran, Marjane 'Marji' Satrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.
Utterly astounding, iridescent sand animation from Aleksandra Korejwo based around Bizet's Carmen.
A black-and-white film that takes an ironic look at alienation between the races and the sexes. It is a mix of cell animation, painting, live action and early Atari computer animation.
The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.
In Backcomb the demonic is unleashed on domestic space. It takes the form of two of femininity’s mildest tokens, hair and embroidery, that serve here in the creation of a sexualised surrealist experience. Within the claustrophobic space of a table-lay, a forceful and erectile mass of hair comes alive and slithers across its surface. The hair probes into vessels and punches through the cloth till finally order overturns and all smashes to the ground.
On a restless monochromatic palette, a woman experiences the psychological damage of a visit from the police.
It ain't easy bein' green -- especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot -- a wisecracking donkey.
Pioneer of silhouette animation, Lotte Reiniger, uses this technique in a retelling of the Greek legend in which the sculptor, Pygmalion, brings a statue to life.
Led by Woody, Andy's toys live happily in his room until Andy's birthday brings Buzz Lightyear onto the scene. Afraid of losing his place in Andy's heart, Woody plots against Buzz. But when circumstances separate Buzz and Woody from their owner, the duo eventually learns to put aside their differences.
Pluto, an uncoordinated plutoid who loves to dance, begins his quest to become a member of his favorite dance crew, The Planets. Stellar Moves is a senior thesis short film produced at Ringling College of Art and Design.
The spirits of life and death go for a drive in this darkly humorous fantasia featuring an original score by Quincy Jones.
Earth is visited by a race of aliens, who issue an ultimatum: either peace or complete destruction.
When the sky really is falling and sanity has flown the coop, who will rise to save the day? Together with his hysterical band of misfit friends, Chicken Little must hatch a plan to save the planet from alien invasion and prove that the world's biggest hero is a little chicken.
A portrait of the ordinary life, passing time, routine and the contacts between characters.
'Tie-dye' film study. Psychedelic patterns and colours mix on the various materials then explode onto the retina. The 16mm material perfectly captures the details of the materials.
A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.
Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.
This direct-to-draw animated film on 35 mm film features the imagery of 10 European directors in a collective project. Each produced 1 minute of animation on film, drawing directly onto it in his or her own style.
Have you ever wondered "What is the meaning of life? Why do we exist?" The answer to this vexing question is now within your reach! You'll find it in a small yet amazing booklet, which will explain, in easy to follow, simple terms your reason for being! The booklet, printed on the finest paper, contains illuminating, exquisite colour pictures, and could be yours for a mere $9.99.
Monsters once lived in hiding—even from each other—because they were afraid they would be in danger if humans knew they existed. But Draculaura, the daughter of Dracula, along with her best ghoulfriends, dreamt of a school where everyone was welcome and accepted for who they are. Determined to make their dream come true, the ghouls travel the world on an epic adventure to recruit new students. But even in this amazing place, there's drama: a villainess zombie is spreading trouble rather than friendship, and every student must live with the fear that their secret will be revealed. Now the ghouls must save their school so that every monster has a place where they belong and their uniqueness is celebrated!
Animated shapes dance to Cuban music. This was one of the first animations to be painted directly onto the film.
Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.
A rooster has his last biscuit for breakfast and goes grocery shopping. A pig prepares her breakfast (potato peelings, with the potatoes thrown in the trash) and discovers she needs more milk. Their paths cross, a lemon falls into the sewer, and both lives are changed.
This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.
This short film visualizes potential human exploration of the Solar System through a sequence of digitally reconstructed environments based on real astronomical data and spacecraft imagery. Depicting locations such as Mars, the moons of Saturn and Jupiter, and other celestial bodies, it presents speculative human activity grounded in existing scientific ideas, accompanied by narration from Carl Sagan’s "Pale Blue Dot".
Farmer Donald goes through his farmer day until a fly causes him to lose control while milking a cow.
A playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.
When her babysitting business takes a hit, Skipper takes a summer job at the water park. Here she can quickly put her skills as a nanny to good use.
The aristocratic White Mice and the rustic Creatures Who Dwell Under the Oak battle over the doll of their hearts' desire.
While streetworker Mickey romances Minnie, Mickey's nephews Morty and Ferdie take control of his steamroller and it's full speed ahead on a very destructive ride.
In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.
A collage of two-dimensional images of vegetation, each appearing only for a moment, sometimes as a single image, more often with other bits of stem, leaf, bud, or petal. Often we see only the outline of objects against a black background. Black and green are occasionally joined by fragments of orange or of white and blue. The objects in the frame don't move but they are quickly replaced by another collage, giving the feel of rapid motion. Each collage is crisp, its lines etched against the background of black and later of white. Whitman anyone, or Hieronymus Bosch? Although there is no soundtrack, the rapidity of changing images and colors suggests a riot.
In this follow-up to his stop-motion hit Western Spaghetti, director PES transforms familiar objects into Fresh Guacamole.
Po and the Furious Five uncover the legend of three of kung fu's greatest heroes: Master Thundering Rhino, Master Storming Ox, and Master Croc.
Across different eras, a poor family, an anxious developer and a fed-up landlady become tied to the same mysterious house in this animated dark comedy.
