An interview with actor Virginia Madsen about her work in Candyman (1992).
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"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg
A behind-the-scenes look at the creation of Walt Disney Animation Studios' MOANA, as aided by the Oceanic Story Trust.
A celebration of the 30+ year legacy of the Child's Play franchise and iconic character, Chucky, with never-before-seen interviews with franchise creator and actors.
A short biography of life of St Thomas More. Contains clips from the 1966 feature film "A Man For All Seasons."
[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual.
A humorous documentary on the making of Alex Cox's punk biopic SID AND NANCY. Features exclusive behind the scenes production and commentaries from Alex Cox, Gary Oldman, Chloe Webb, David Hayman, Eric Fellner and more...
Join director Clint Eastwood and his creative team, along with Bradley Cooper and Sienna Miller, as they overcome enormous creative and logistic obstacles to make a film that brings the truth of Navy SEAL Chris Kyle's story to the screen.
Featurette on the making of Hellraiser.
An inside look at the making of the movie Star Wars: Episode VII - The Force Awakens (2015), featuring footage and exclusive interviews with the actors and filmmakers.
Amy Steel discusses her part in the Friday the 13th franchise
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
A short promotional film on the making of “The Wiz” (1978). Includes a brief history of Oz portrayals in film and behind the scenes interviews.
This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to "sing" the city as remembered from daily living...complementary, then, to an earlier film, "Unconscious London Strata." Preserved by the Academy Film Archive in 2015.
"Firstly, I revealed in salutary confession the secret filth of my misdeed, which had long been festering in stagnant silence; and I made it my custom to confess often, and thus to display the wounds of my blinded soul..." (Petrarch, 1352, in a letter to his brother). I wish to avoid any "classical" misunderstandings of the above quote by stating clearly here that any sacrifice of love is, yes, "filth" or at the very least "misdeed." An academic reading of Petrarch tends to bias thought that there are kinds of love which might be wrong: I do not believe this. (SB)
In 1963 Boultenhouse wrote, produced, and directed Dionysius,which he described as a “free treatment of Euripides' The Bacchae.”It starred the dancers Louis Falco, Anna Duncan, and Nicolas Magallanes as Dionysius, Agave, and Pentheus respectively, and the experimental filmmakers Charles Levine, Willard Maas, Gregory Markopoulos, Marie Menken, Lloyd Williams and William Wood as the Chorus of Cameras. The film's score was by Teiji Ito.
This, then, finishes eleven years of editing drawing on 30-some years of photography. I will surely work autobiographically again, but the modes of SINCERITY and DUPLICITY seem completed with this film which on the one hand is as simple in its integrity-of-light as those follow-the-ball "sing-along" early silent movies and on the other as complicated as teen-age metamorphosis. Childhood dissolves in flame, struck from the hearth.
“Faust Part 2” reveals the modern Faust in a romantic interlude, an idyll (from the Greek idein, "to see"); also, a journey of the id. A sense of story is inferred through the complex interweaving of human gesture, expression, and bodily movement within vibrantly shifting colours and rhythmic development, creating multiple levels of metaphorical meaning. A collaborative work with paintings by Emily Ripley and soundtrack by Joel Haertling.
On the day they move apartments, a couple struggles to get everything in order before the landlord arrives for a final inspection.
Some time after the events of The Ring, a subculture of people voluntarily watch Samara Morgan's video and wait to see how close to the seven-day deadline they can get before showing it to the next person. They record everything they see and share their experiences on a secret website dedicated to the videotape. No one has ever recorded a day seven.
An experimental short in which a couple engaged in lovemaking is superimposed over ocean and beach scenes.
Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Ahead of the release of upcoming fantasy film ‘Black Adam’, sit down with Dwayne Johnson as he discusses his starring role as the eponymous superhero.
A documentary about the life and films of director John Ford.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
This character-driven film considers the evolving sex trafficking landscape as seen by the main players: the exploited, the pimps, the johns that fuel the business, and the cops who fight to stop it.
Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.
A detailing of the rise to prominence and global sporting superstardom of six supremely talented young Manchester United football players (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph.
This real-life look at FBI counterterrorism operations features access to both sides of a sting: the government informant and the radicalized target.
Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
A documentary about the sport of boxing, as seen through the eyes of champions Mike Tyson, Evander Holyfield and Bernard Hopkins.
This essential new documentary pays tribute to the legacy of the late, legendary casting director Marion Dougherty and shines a light on one of the most overlooked and least understood crafts in filmmaking.
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
A documentary on the modeling industry's 'supply chain' between Siberia, Japan, and the U.S., told through the experiences of the scouts, agencies, and a 13-year-old model.
The definitive 3½-hour documentary about the troubled creation and enduring legacy of the science fiction classic 'Blade Runner', culled from 80 interviews and hours of never-before-seen outtakes and lost footage.
Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by women who come and go in his life, his recurring dreams of nuclear holocaust, and Burt Reynolds.
A behind the scenes look into George Romero's groundbreaking horror classic Night of the Living Dead.
In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.
