Social & External
The people behind it
Antonín Michl
Katy Kaclová-Vališová
František Fořt
Rudolf Innemann
Miroslav Innemann
Snub is a traffic cop and succeeds in mixing things up by trying to flirt with every pretty girl motorist.
While vacationing with his father Edward at a Palm Beach hotel, George Welston becomes smitten with Eve Pendleton, the daughter of Edward's business rival Judson. After George prevents Pendleton from getting an option on a deal by racing in his car with his father's $100,000 deposit, Pendleton favors Eve's other suitor, Arthur Trask, whose gentlemanly manner conceals his intent to rob Eve and her wealthy friends.
Alice Day is the pretty maid who wins the heart of Danny O'Shea, a young artist who motors down to Petersboro to paint the scenery.
Lloyd has spent his entire life savings on a new flivver.
Alice, a waitress working in a restaurant managed by a flirtatious and diminutive proprietor (Barney Hellum). The proprietor’s wife is a formidable, "lion-taming" woman who is intensely jealous. When the proprietor lures Alice into an "imprudent date" at the Lonesome Inn under the guise of offering her a promotion his suspicious wife and Eddie (Eddie Quillan), a busboy who is Alice's actual boyfriend, track them down. A chaotic confrontation ensues, leading to a "race for life" as the husband attempts to escape his wife’s wrath. The film concludes with Alice and Eddie successfully escaping together, while the husband and wife are seen in silhouette engaged in a physical brawl.
To bypass the quota, Kitty slips past a gateman by joining a Jewish family she befriended on the voyage. She is eventually taken in by Papa Levy (Max Davidson), who has since become a successful American citizen. Kitty came to America to reunite with her childhood sweetheart, Eddie (Eddie Quillan), who sent letters claiming to be a "big man in the shoe business". Upon finding Eddie, Kitty discovers he is merely a corner bootblack who has forgotten his Irish roots for a "fancy dame" named Rosa Cremona. Seeking fame, Eddie enters an Amateur Night contest at a local theater as a dancer. His performance is a disaster; he is pelted with vegetables by the audience, ruining a dress suit lent to him by Papa Levy. Realizing Eddie's foolishness, Kitty turns her romantic interests toward Danny (Danny O'Shea), a handsome New York police officer and "true son of Erin".
Irma is waiting for her escort to take her to a party when she falls asleep and has the most terrible dream. She dreams that she is a poor little girl in the country and has to do all the chores. She gets into all kinds of trouble helping the other children and finally falls in the brook. But just as she is bewailing her fate her mother wakes her and says that Bennie has come to take her to the party. The dream is over and Irma is glad that it was only a dream.
The house next door to Mr. Cobb is rented by Mrs. Rose, a widow who moves in with her little girl Helen. Mr. Cobb is a widower with a little boy, Phil.
Eddy and his chauffeur come to the rescue of Louise and her maid, Corinne, whose automobile breaks down. Lee soon puts matters right, and Corinne gets her fuzzy hair all mixed up with his as he tinkers about. Eddy naturally keeps Louise company and cards are exchanged. Arriving home papa puts a veto on the prospective call of the impecunious young lawyers, as he wants a titled man for a son-in-law. One evening papa goes to the club, and is introduced to Lord Chester, and asks his lordship to call. While papa is thus being entertained, Eddy has called and is enjoying a tête-à-tête with Louise. Corinne spies Lee and introduces him to the butler and the cook and they all have a good time. The following day his Lordship calls, Louise however, has no use for titled personages with Eddy outside honking his auto horn.
Betty Carlton, a pretty girl, is sent to a girls' seminary. She is welcomed by all, and everything goes along merrily until one day, when they try to initiate Betty into one of their societies by blindfolding her and dropping cold, wet macaroni through her fingers. It feels so much like snakes that she dashes from the room. From now on she is ostracized. She decides to leave. While packing her trunk. She discovers a burglar climbing into a room where the other girls are having a "feed," to which she has not been invited. All the girls scream and run away. Betty, trusting to her lariat, enters the room, captures the burglar, and is thereby made a friend of all.
A real estate salesman who loses both his job and his girl, masquerades as a female singer at a dance for prospective customers in order to win them both back.
Amy Lindel, a church choir singer, goes to the city to pursue a singing career, but finds herself only able to get cabaret gigs. She then becomes entangled in a situation involving stolen diamonds, and is saved by the "good guy" whom she later marries.
In the aptly named Slowtown the townspeople don’t even have sufficient energy to "up and die." Mayor Van Poke, in office for the last 15 years, is so slow he can't get out of his own way. His daughter Dolly is the prettiest girl in town though. The frustrated sexton puts an ad in the paper for a Mayor that will put the Pep in Slowtown. Peter Pep, whose middle name is Speed with a capital S, gets the job thanks to his galvanizing presence. He puts pep into everything and everyone, even into Dolly's heart and they fall in love. Dolly makes a spirited stand for her father, but Peter wins out. In celebration Peter Pep marries Dolly, and they are off on their honeymoon in a cloud of dust.
Jerry Willard, a clerk in a publishing house who is possessed of a massive inferiority complex, is fired from his job and, on the way out of the office, is mistaken for the boss, Watson, by Anne Rogers, the daughter of an author.
Short comedy
Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.
Figures Don't Lie is a showcase for the physical charms of lovely Esther Ralston, who in one scene proves the accuracy of the title by donning a fetching one-piece bathing suit. The main story concerns wise-guy insurance salesman Richard Arlen, who through a combination of hard work and sheer gall lands a job as sales manager. But he can't land heroine Ralston, who has remained cool to his charms ever since he tried to make a play for her on the street. A lost film.
A 1919 film directed by Sidney Franklin.
Clarence Brooks is a shy, timid man working for Mr. Flavell. He is love with Flavell's daughter, Nancy. Nancy is shallow and fickle, always chasing after other, less-upstanding men. Clarence enlists when World War I erupts. While Clarence is off defending his country, Nancy's mother arranges for her daughter to marry the wealthy Mr. Braille. When Braille is drafted, Nancy's mother starts arranging a rush wedding, against Nancy's wishes. Nancy claims that she and Clarence are already secretly married. When the war is over and Clarence returns home, he refuses to be a part of her charade. When Clarence declines the offer to marry Nancy for real, she must mature to win his affections back. A lost film.
A group of teens hit the road in a stolen driver's ed car, racing against time to help a lovesick high school senior track down his college-freshman girlfriend and win her back.
Stan and Ollie are musicians attempting to travel by train to Pottsville.
Returning for a second Netflix comedy special, Jim Jefferies unleashes his famously ferocious black humor to a packed house in Nashville, Tennessee.
Between scenes from an excruciating date, Jim Jefferies digs into generational differences, his own bad habits and the shifting boundaries in comedy.
No topic is off limits for Jim Jefferies as he muses on stoned koalas, his dad’s vasectomy confusion and choosing between his hair and his sex drive.
From Dave: Normally I wouldn't show you something so unrefined, I hope you understand.
Eddie Murphy delights, shocks and entertains with dead-on celebrity impersonations, observations on '80s love, sex and marriage, a remembrance of Mom's hamburgers and much more.
Facing a world gone sideways, comedy icon Dave Chappelle delivers bold truths and potent punchlines in this no-holds-barred special.
Smart, crude, and in-your-face, Australian comic/actor/equal-opportunity-offender Jim Jefferies is not for the faint of heart. Whether he is lampooning gun control, auditioning disabled actors, or over-sharing sexual experiences, the FXX "Legit" star proves nothing is out of bounds and even less, off limits. Filmed during the Boston run of his recent stand up tour.
An HBO special edited from three performances from Chris Rock's 2008 comedy tour: London (dark suit, dark shirt), Johannesburg (black suit, white shirt) and New York (shiny jacket). Topics include the ongoing presidential campaign, the possibility of a black president, George W. Bush, gas prices, low-paid jobs, ringtones and bottled water, sex, relationships and the correct use of the n-word
Adam Sandler hits the stage for a thrillingly unpredictable comedy special featuring songs, jokes, party-crashing dogs and plenty of love.
Comedy icon Dave Chappelle makes his triumphant return to the screen with a pair of blistering, fresh stand-up specials. Filmed at the Moody Theater in Austin, Texas, in April 2015.
Share this *Alcoholocaust: (Meaning: The aftermath of a drinking party, usually resulting in every available horizontal surface being covered in empty booze containers, spilled beverages and a general sticky alcoholic residue.) Jim Jefferies, the globally renowned Australian stand-up, returns to Just For Laughs with his brand new solo show. Alcoholocaust includes some of Jim’s favourite wild antics over the past year. As always, his material is set in reality, which is what provides him with his trademark brutally frank style. Among other things, you will hear about a hilarious yet touching true story involving his friend’s severely disabled brother, plus Jim’s traditional pet peeves – religion & idiots.
Jimmy Carr returns with a brand new live stand-up DVD. Recorded live at London's Bloomsbury theatre, Jimmy unleashes brand new material upon his audience that is just too rude for TV, taking his dry and sardonic wit and delightfully crafted jokes to a whole new level
Ricky Gervais tackles life, death and the state of the world in a brutally honest special that spares no topic, even his own mortality.
Breakups. Therapy. Bangs. Taylor's gone through some stuff since her quarter-life crisis, and she spins her mental health journey into insightful comedy.
It’s always been a dream of mine to do a show at the Fillmore. The name itself is synonymous with legendary performances. Countless iconic musicians and comedians have been on that stage. To be a part of that history was something I’ll never forget. As much as I was trying to keep my head together before the show, I couldn’t help but feel like a tourist or just some random dude who won a contest. LET IT GO represents the culmination of material I developed on the road from 2008-2009. As always thanks to everyone who came out to my shows, laughed at the funny stuff and stared during the bombing. I hope you enjoy it. – Bill Burr
There's no subject too dark as the comedian skewers taboos and riffs on national tragedies before pulling back the curtain on his provocative style.
It's Bad For Ya, Carlin's Emmy nominated 14th and final HBO special from March of 2008 features Carlin's noted irreverent and unapologetic observations on topics ranging from death, religion, bureaucracy, patriotism, overprotected children and big business to the pungent examinations of modern language and the decrepit state of the American culture.
With his first ever DVD, Jimmy’s unique brand of humour demonstrates the observations he makes on life’s taboos using witty one-liners and offensive putdowns. Recorded during the acclaimed comedian’s sell out shows at London’s Bloomsbury theatre.
