Rose Hobart haunts the cinema.
Social & External
Herself
At the outskirts of a village in the Great Hungarian Plain, two communities live side-by-side as strangers: the workers of a high-tech factory and the inhabitants of the gypsy ghetto. This happens in spite of the fact that both of them deal with electricity. However, one community' s business needs constant supply of electric current while the other' s at least temporary power-cut.
Psychological-thriller set during the Korean War that follows the twisted journey of two surviving marines trying to make their way back through enemy territory after their platoon was wiped out.
At the end of Summer after finishing sixth form, two friends meet up for the first time in a year to talk about what happens next.
Short film with the theme ‘Time travel’
Six women. Six rooms. Six confrontations with the past. Shot in East London, Second Skin is a devastating meditation on society’s obsession with a woman’s age.
Javier is haunted by a recurring nightmare - he's trapped in a strange house with something waiting for him in the basement. Despite his mother's reassurance that they're only dreams (solo son sueños), he can't shake the growing sense that an ominous presence is getting closer.
Caught between paranoia and boredom, an injured ballerina must choose to sacrifice herself or her only friend.
A thought provoking journey that follows a young man through his final day of life.
Measuring their power and proving themselves is part of the boys’ everyday life. Even for the 13-year-old gentle-natured Yannik. Until his best friend’s upcoming sexual curiosity suddenly puts him in a threatening situation. Where is the line between game and reality and what happens if that line is crossed?
A highly unusual interstellar battle erupts as Jack Cucchiaio finds the one weapon that may finally end his nightmare!
Danny Webb plays wanna-be Hollywood agent, Speedy Williams, while Mary Treen plays Patsy, the best friend of Hazel Hackenschmitt (Ethelreda Leopold). Having just won the hometown title of "Miss Maple Syrup", Hazel decides to move to Hollywood to be a star. Speedy cooks up a scheme to get her seen by important Hollywood producer, B.O. Botswaddle (Raymond Brown) who is known to never make a move without Astrological guidance. This scheme involves making up Patsy with turban and a 3rd Eye, and introducing her to Botswaddle as a mystical seer... one, of course, who see's Hazel as the star of his next motion picture. Naturally, things do not go as planned. Treen is especially memorable in a wonderfully goofy role.
The filmmaker's mother, Ethel Wardrop, talks about her own body and the role it played in her loving relationship with her dear husband.
The life of painter, dancer and poet Mark Turbyfill, seen in his 70th year, is evoked through Markopoulos’ unique form of cinematic portraiture.
Markopoulos’ first attempt at making a 35mm feature film, clearly inspired by the cinema of Jean Cocteau, was left unfinished and the materials were lost for many years.
Short animated silent film about a man drinking alcohol.
Morishita Nao (Eguchi Noriko) shares an apartment with a female friend. Her roommate's younger brother Kotaro (Nakamura Kuniaki) leaves their family home and comes to stay with them. That evening, Nao witnesses Kotaro smelling her panties. The next day Nao begins acting provocatively towards him.
Szczurolap is a powerful analogy to the aims of an authoritarian society to destroy dissidents.
An experimental exploration and celebration of the Juggalo subculture in Buffalo, New York. Long and static takes of Juggalos engaged in their favorite activities, first and foremost of which - causing mayhem. Among these seemingly random acts of the everyday, preening, sexual gratification, backyard wrestling, explosions and destruction, a tentative narrative begins to emerge.
The author of the work in a grotesque form tries to convey to the viewer that school education can not only make people better, but also, with an inappropriate approach to training, turn them into notorious monsters. We follow one lesson in school of fantastic, but such recognizable monsters.
Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.
Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.
While changing clothes in a getaway car, escaped convicts Stan and Ollie mistakenly put on each other's pants. They spend the rest of the film trying to exchange pants in various unlikely settings.
Stan and Ollie play door-to-door Christmas tree salesmen in California. They end up getting into an escalating feud with grumpy would-be customer James Finlayson, with his home and their car being destroyed in the melee.
Mother, father and daughter go to the park. The women doze off on a bench while the father plays a hide-and-seek game with a girl, blindfolded. Charlie leads him into a lake. Both dozing ladies on the bench fall for Charlie and invite him for dinner. The father returns home with a friend. Charlie rushes upstairs and dresses like a woman, shaving his mustache. Both men fall for Charlie.
Roscoe and Buster operate a combination garage and fire station. In the first half they destroy a car left for them to clean. In the second half they go off on a false alarm and return to find their own building on fire.
Fish market workers Stan and Ollie are persuaded by a sea captain to shanghai a crew for him at the local bar for a dollar a head. Successful at first, the boys end up getting themselves shanghaied, and the crew vow revenge.
In this powerful abstract film with a soundtrack of African drum music, Lye scratched "white ziggle-zag-splutter scratches" on to black leather, using a variety of tools from saw teeth to arrow heads. The first version of the film won a major award at the International Experimental Film Festival Held in Brussels in 1958 in association with the World's Fair. Stan Brakhage described the film as "an almost unbelievably immense masterpiece".
A shipowner intends to scuttle his ship on its last voyage to get the insurance money. Charlie, a tramp in love with the owner's daughter, is grabbed by the captain and promises to help him shanghai some seamen. The daughter stows away to follow Charlie. Charlie assists in the galley and attempts to serve food during a gale.
A young golfer is mugged by an escaped convict and finds himself in a prison where he foils a jailbreak.
After a visit to a pub, Charlie and Ben cause a ruckus at a posh restaurant. Charlie later finds himself in a compromising position at a hotel with the head waiter's wife.
Two disruptive theater patrons, the wealthy drunk Mr. Pest (played by Charlie Chaplin) and the rowdy working-class Mr. Rowdy (also played by Chaplin), attend a live vaudeville theater production. Their constant antics, seat-hopping, and physical altercations quickly overshadow the acts on stage and plunge the entire theater into absolutely hilarious chaos.
Upon waking from the dream of a theater peopled entirely by numerous Buster Keatons, a lowly stage hand causes havoc everywhere he works.
A man attempts to evade observation by an all-seeing eye.
A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.
SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.
Stan and Ollie are hired to build a house in just one day. When they are done, a bird lands on the house and it collapses. Naturally, the owner wants his money back.
Buster and a woman are mistakenly married and her initially unfriendly family begins to treat him nicely when they come to believe he has a large inheritance awaiting him.
Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.
A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.
