Short video art redux.
Social & External
De-electronation of a molecular entity as a result of photoexcitation. Light increases its oxidation state, at the same time it releases free radical electrons. Light goes through human work as a natural photodegradation. It mutates within its own limits, from a solar irradiation to its impossible perception in an absent retina.
Individual elements from a carrier of visual information have been isolated and used to construct alternative visual reagents. Repetition is administered as a binder to tame the wild particles in motion, achieving a golden ratio in the mind's eye.
Canadian Pacific I is made up of a series of slowly dissolved shots done from the same framing over several months. The camera frames a window with a railway yard in the foreground, a bay in the space behind it, and misty mountains in the extreme distance. Trains occasionally pass by in the foreground. Huge ships move across the bay. Blue mists hover over the mountain heads.
Canadian Pacific II is designed as a companion piece to Canadian Pacific I. Shot from a window two storeys higher and in the building adjacent to the artists’s studio of the previous year, one enters into a dream state… an involvement with a vocabulary of seeing and feeling by subtle transitions of the passage of time
Self shots are the optical Biographie of an unorthodox film producer. Director, cameraman and actor in a person, he directs the camera against itself. It plays with her, throws her into air, races over the meadows, films its movements, his face and his hands and demonstrates thereby its adventurous relationship to a 16 mm camera. Not an action thus, but filming becomes the action. The Godard' Bonmot of filming as ' truth 24 times in the second ' made Mommartz in his films conscious like hardly another. (Wilfried Reichart Kölner Stadtanz 4.1.68)
Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.
In "Falling. Desert. Syn" there is the body of repetition—not of tautology but of smooth resurrection; a body dying and being resurrected in a dance without suffering. A body of the desert, which is not deserted, but instead possessed by a force of attraction towards the sky, a force as strong as the one towards the earth. A body for the stars, the same one which plunges into the underworlds.
An experimental short film from Mi-sen Wu.
A showcase of Paper Rad's individual and group creations in the form of Trash Talking, a show for kids with bizarre characters trying to find their place in the world.
This is the first in a series of films using documentary, industrial and educational film footage from the Prelinger Archive and The Internet Archive. The film explores the theme of technology, showing how the future can be edited and manipulated through advances in computer science. As the narrative in the film says "The art of computer graphics is only in its infancy yet it is already stimulating creative thought in far out areas where research is likely to get complex and unwieldy".
Short video art piece.
Writes Kobayashi, "In 1972 I started a series of participatory performances where the first person performs an ambiguous action in front of a recording camera; the next person watches the recorded footage and imitates the action in front of a recording camera; the third person repeats the same procedure using the second person's video recording, and so on. Within the repetition of recording and action, the original gesture is transformed by the participants' misunderstanding, interpretation, and memory."
A collaborative performance, Image of Seeing--Seeing investigates the meaning of television watching. This work was created for television broadcast on the Nippon Broadcasting Corporation's program "Hyōgo no jikan" (Hyōgo Time).
A member of the collective Video Hiroba, Morihiro Wada also used video in his solo projects. In The Recognition Construction, each subject entering the frame is identified by a narrator, while the video camera slowly rotates. As the rotation speeds up the identification becomes more difficult, and the objects ultimately become "indecipherable."
Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.
The Second Electronic Visualization Event took place at The University of Illinois Chicago Circle Campus in 1976. This documentation features Bob Snyder on EMU Synthesizer, Phil Morton on the Sandin Image Processor by Dan Sandin and Guenther Tetz on the GRASS (GRaphics Symbiosis System) by Tom DeFanti. In Morton's words these artists perform live realtime audio and video synthesis "using both analog and digital computers as 'visual instruments'..." Other artists credited with participation in the Electronic Visualization Events between 1975 and 1978 include Drew Browning, Larry Cuba, Barbara Latham, John Manning, Faramarz Rahbar, Ed Rankus, Michael Sterling, Barbara Sykes and Jane Veeder.
Features four distinct, bizarre, existential tales about people whose lives are in transition, who are each asking questions about themselves, their environments, and about God(s).
An actress of political torture movies made by her husband has to finish his latest film and arrange a screening for distributors while the husband, who is also secretly an anarchist revolutionary, is away for some resistance operation.
In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.
In Idemitsu's seminal women's liberationist video, the image of a tampon swirling in a toilet bowl slowly appears, as the artist speaks about the troubling roles, responsibilities and expectations of women in a clinical tone. Minimal in composition, What a Woman Made is a candid critique of the treatment of women in Japanese society.
An outcast duckling's search for a family to accept him leads to constant rejection before learning his true identity as a swan.
A Pixar short about a lost-and-found box and the unseen monster within.
I made this film especially for you. I needed to check in with you. I needed to tell you how I feel.
The toys throw Ken and Barbie a Hawaiian vacation in Bonnie's room.
Two minions working in a bomb lab get competitive.
Mater the tow truck travels from country to country as he retells his infamous but unbelievable stories.
An adventure about two Minions who make a daring (though temporary) escape from jail. As they navigate the chaos of their breakout, their antics showcase the Minions' signature blend of resourcefulness and mischief, resulting in a short filled with hilariously unpredictable moments.
Tom heads for a big city penthouse to become acquainted with a rich pretty female cat that lives there. He brings her Jerry as a gift and does some humiliating things to Jerry. Jerry, in turn, attracts the attention of another cat who also becomes interested in the female cat. It eventually turns into a fight between Tom and the other cat for the lady's hand but Jerry is the one who gets her in the end.
Ordered to teach a martial arts class of rambunctious bunny kittens, Po tells stories of each of the Furious Five's pasts.
Jasper is given an ultimatum by his master: break one more thing and you're out. Rodent Jerry does his best to make sure that his tormentor "gets the boot".
When Day, a sunny fellow, encounters Night, a stranger of distinctly darker moods, sparks fly! Day and Night are frightened and suspicious of each other at first, and quickly get off on the wrong foot. But as they discover each other's unique qualities--and come to realize that each of them offers a different window onto the same world-the friendship helps both to gain a new perspective.
A man's sanity is a point of contention as he confesses to murdering an elderly man, driven by the victim's pale blue 'vulture eye', culminating in guilt-induced auditory hallucinations of the victim's beating heart.
Mother, father and daughter go to the park. The women doze off on a bench while the father plays a hide-and-seek game with a girl, blindfolded. Charlie leads him into a lake. Both dozing ladies on the bench fall for Charlie and invite him for dinner. The father returns home with a friend. Charlie rushes upstairs and dresses like a woman, shaving his mustache. Both men fall for Charlie.
A down on his luck young man makes several attempts at committing suicide but fails them too. He then finds himself becoming more confident through a series of petty adventures, to such an extent that this becomes his undoing.
Mike discovers that being the top-ranking laugh collector at Monsters, Inc. has its benefits – in particular, earning enough money to buy a six-wheel-drive car that's loaded with gadgets. That new-car smell doesn't last long enough, however, as Sulley jump-starts an ill-fated road test that teaches Mike the true meaning of buyer's remorse.
Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.
Visionary director Quentin Tarantino had a dream of a Kill Bill chapter that never made it to the silver screen, a chapter known as "Yuki's Revenge." Over twenty years later, Tarantino and Epic have come together to bring the story to life in Fortnite.
Bo Peep explains what happened to herself and her sheep between the events of Toy Story 2 and Toy Story 4.
Experience these masterpieces of storytelling from the creative minds that brought you Toy Story, Monsters, Inc., Finding Nemo and many more. With revolutionary animation, unforgettable music and characters you love, these dazzling short films have changed the face of animation and entertainment and are sure to delight people of all ages for years to come.
A shipowner intends to scuttle his ship on its last voyage to get the insurance money. Charlie, a tramp in love with the owner's daughter, is grabbed by the captain and promises to help him shanghai some seamen. The daughter stows away to follow Charlie. Charlie assists in the galley and attempts to serve food during a gale.
