Short video art redux.
Social & External
The people behind it
Emerging from the LA underground in year 2000, a self-proclaimed "video band" called TV Sheriff & The Trailbuddies hit the scene with their twisted take on performance art and VJ remixing. They have since taken their unique act to venues worldwide, providing animated commentary on the state of mind control in the USA. The Trailbuddies focus on the banality of television, creating rhythmic collages from appropriated clips of the most absurd broadcast moments. And besides their virtuoso sampling, the madcap ensemble creates original—and hilarious!—karaoke-style melodies on mass-media manipulation. Behind TV Sheriff & The Trailbuddies is the ingenious, Emmy-award-nominated Davy Force, an exceptional combination of brilliant director and hands-on computer artist. His recent projects include music videos for Devo, animated commercials for Bandai and the show open for Tim & Eric's Awesome Show Great Job.
Short video art piece.
Outrage kiss-in at Bow Street police station in London, with a demonstration against homophobic government bills clause 25/28.
Produced by WGBH-TV in Boston, the Medium Is the Medium is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists — Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock and Aldo Tambellini — to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.
Writes Kobayashi, "In 1972 I started a series of participatory performances where the first person performs an ambiguous action in front of a recording camera; the next person watches the recorded footage and imitates the action in front of a recording camera; the third person repeats the same procedure using the second person's video recording, and so on. Within the repetition of recording and action, the original gesture is transformed by the participants' misunderstanding, interpretation, and memory."
An experimental short film from Mi-sen Wu.
A showcase of Paper Rad's individual and group creations in the form of Trash Talking, a show for kids with bizarre characters trying to find their place in the world.
"Filmed in Cairo, in Al-Azhar Park, sunset during Isha'a praying time. The city becomes a Chorus. Dedicated to the people of Cairo. With love and hope." Part of the Azan series & the Cairo fieldworks.
Images and sound captured in Zamboanga city Mindanao, Philippines. During sunset. Part of the Azan series & the Philippines fieldworks.
An 18-minute long single-channel video which uses CNN footage cut so that each word is spoken by a different newsperson. The pieces literally asks the viewers questions about media authenticity and give CNN a distinct voice
A collaborative performance, Image of Seeing--Seeing investigates the meaning of television watching. This work was created for television broadcast on the Nippon Broadcasting Corporation's program "Hyōgo no jikan" (Hyōgo Time).
A member of the collective Video Hiroba, Morihiro Wada also used video in his solo projects. In The Recognition Construction, each subject entering the frame is identified by a narrator, while the video camera slowly rotates. As the rotation speeds up the identification becomes more difficult, and the objects ultimately become "indecipherable."
A 30-year-old actress named María struggles with deep-seated dissatisfaction and emotional emptiness within her marriage. Seeking a remedy for her existential restlessness, she attempts to reconnect with a former lover. Her journey of self-discovery unfolds across the modernist architecture of Barcelona.
Szirtes's masterful experimental work is a dazzling composition of several years of filming within an industrial macro/microcosm, an abstract model of revolution and the beauty of daybreak.
Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.
In "Falling. Desert. Syn" there is the body of repetition—not of tautology but of smooth resurrection; a body dying and being resurrected in a dance without suffering. A body of the desert, which is not deserted, but instead possessed by a force of attraction towards the sky, a force as strong as the one towards the earth. A body for the stars, the same one which plunges into the underworlds.
In 1907, the Gaumont Films company in France made a slapstick comedy (silent, of course) with a title that would translate from the French as 'A gentleman who ate some bull'. Eugene Deslow got hold of that film and added an introduction plus a soundtrack, the latter consisting of commentary narrated by the single-named actor Bétove.
In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.
In Idemitsu's seminal women's liberationist video, the image of a tampon swirling in a toilet bowl slowly appears, as the artist speaks about the troubling roles, responsibilities and expectations of women in a clinical tone. Minimal in composition, What a Woman Made is a candid critique of the treatment of women in Japanese society.
Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.
This collection of 11 short films produced by Illumination includes: From the "Despicable Me" franchise: Mower Minions (2016); Yellow Is the New Black (2018); Competition (2015); Cro Minion (2015); Binky Nelson Unpacified (2015); Panic in the Mailroom (2013). From the "Secret Life of Pets" franchise: Super Gidget (2019). From the "Sing" franchise: Eddie's Life Coach (2017); Gunter Babysits (2017). From the "Lorax" franchise: Serenade (2012); Wagon Ho! (2012).
Donald shows his nephews the moves that won him his hockey trophy. But the boys have a few moves of their own.
Mike discovers that being the top-ranking laugh collector at Monsters, Inc. has its benefits – in particular, earning enough money to buy a six-wheel-drive car that's loaded with gadgets. That new-car smell doesn't last long enough, however, as Sulley jump-starts an ill-fated road test that teaches Mike the true meaning of buyer's remorse.
While streetworker Mickey romances Minnie, Mickey's nephews Morty and Ferdie take control of his steamroller and it's full speed ahead on a very destructive ride.
I made this film especially for you. I needed to check in with you. I needed to tell you how I feel.
Visionary director Quentin Tarantino had a dream of a Kill Bill chapter that never made it to the silver screen, a chapter known as "Yuki's Revenge." Over twenty years later, Tarantino and Epic have come together to bring the story to life in Fortnite.
Mater the tow truck travels from country to country as he retells his infamous but unbelievable stories.
The toys throw Ken and Barbie a Hawaiian vacation in Bonnie's room.
A duo of street performers learns how sound and picture work together to create amazing cinema experiences.
Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.
Mickey and his friends are staging a sort of olympics in a makeshift stadium on his farm. The main event is a sort of quadrathlon, with running, pole vaulting, rowing, and cycling. Mickey gets a late start due to some foul play by Pete, and that's not the only foul play.
Taking all the places on both teams, Goofy demonstrates the game of football with varying results, having problems with the coach and the goal post.
One by one, a flock of small birds perches on a telephone wire. Sitting close together has problems enough, and then comes along a large dopey bird that tries to join them. The birds of a feather can't help but make fun of him - and their clique mentality proves embarrassing in the end.
When Day, a sunny fellow, encounters Night, a stranger of distinctly darker moods, sparks fly! Day and Night are frightened and suspicious of each other at first, and quickly get off on the wrong foot. But as they discover each other's unique qualities--and come to realize that each of them offers a different window onto the same world-the friendship helps both to gain a new perspective.
Mickey's going golfing, and Pluto is his caddy. Besides the usual caddy duties, Pluto runs to the ball and points to it. But when the ball lands in a gopher hole, Pluto's got another task: chase the gopher. They eventually chase each other through a number of holes in a knoll where Mickey is trying to putt out, causing the knoll to collapse.
Ordered to teach a martial arts class of rambunctious bunny kittens, Po tells stories of each of the Furious Five's pasts.
Four tales unfold in Wes Anderson's anthology of short films adapted from Roald Dahl's beloved stories, "The Wonderful Story of Henry Sugar", "The Swan", "The Rat Catcher", and "Poison."
Buster Moon dreams up a star-studded spectacle set to Michael Jackson's "Thriller" in this animated short featuring characters from the hit "Sing" films.
Oswald takes a job as a lifeguard to keep an eye on Miss Rabbit, who in turn stages a boating accident hoping Oswald will come to save her.
